It’s quite a stretch to go from lawyer to designer, but that’s exactly what Beth Boyd did. Since launching Wiley Designs in 1998,
Boyd has become known for well-composed, tailored spaces that maintain a bal-
ance of clean lines, textures and strategic color. Her goal is to help clients find their
own aesthetic. “A lot of people are unsure how to articulate what they want,” she says.
“So just talking to them and drawing them out make a diference.”
Ultimately, says Boyd, it’s all about surrounding clients with the things that are meaningful to them to make them feel connected to their environment.
One of Boyd’s most notable projects came in 2009, when she invested in a 100-plus-year-old house on Fullerton Avenue. “We gutted the house and completely redesigned the interior,” she says.
Months after selling the property, Boyd was contacted by the new homeowners, who wanted her to do their interior design
and had no idea she was involved in the renovation. “It was a fun piece of synchronicity,” she says.
ARTFUL DESIGN: “Last year we moved and opened an art gallery space in conjunction with our office. Our goal is to bring in work by artists and designers in a variety of media and to host events that encourage a conversation with the community around us and support art and design.”
RUG REVOLUTION: “There’s been a really interesting evolution in rug design lately. Certainly, Persian and oriental rugs are classic and wonderful, but there’s been a great movement in artist-designed rugs.”
CEILING CHIC: “Don’t ignore the ceiling. It’s an opportunity to make everything else in the space feel completely pulled together. White can be fine, but why not do something more interesting?”
Source: Pagoda Red
There is a reason why a spacious laundry room is high on the wishlist of any prospective home buyer. Dorm residents, first—apartment renters and city dwellers all know the joy of an en suite laundry experience. Beth Boyd of Wiley Designs in Highland Park has rewritten the rules on the traditional laundry space for the Lake Forest Showhouse. Her approach was to treat the room as its own decorative statement. This was achieved by incorporating elements that were contiguous to the architecture of the home and dressing it up with colorful accents—like PAGODA RED’s vibrant cast of ginger jars and vases. Anything to make the chore of scrubbing and drying that much more enjoyable…
PR: Describe the vision for your space.
BB: The house this year was a beautiful, very livable, human scale English Tudor-inspired designed by architect Howard Van Dorn Shaw. Every space in the house was lovely and inviting and we wanted the laundry room to be no exception. We thought it should reflect the architectural period and still be seen as a functional, sensible space but with a more modern, colorful spin.
PR: Laundry rooms are usually associated with a rather mundane task, but you have enlivened the entire environment. What mood did you want to set with your design?
BB: Vintage can be new again! For those of us who love older homes, we appreciate the details that give them their stylish character. We wanted to maintain that, thoughtfully update the color palette and broaden the concept of how the space could be used. We wanted the laundry room to feel appropriately vintage and yet reimagined for modern times. We used a variety of bright colors and different textures to create layers of interest, for which the soft gray cabinetry and blush colored walls were the backdrop.
PR: The PAGODA RED pieces featured in your laundry room are all so decorative and colorful—why did you select them?
BB: The porcelain pieces from PAGODA RED were perfect for our space. The shape of the vessels we chose all had strong, crisp lines. The colors blended beautifully with our palette. We loved that the porcelain pieces were antique and yet worked well with the modern bed + bath products.
Source: Modern Luxury
Gallery A+D in downtown Highwood unites the worlds of art and interiors by highlighting the work of acclaimed artisan furniture designers, artists, and retailers in the format of a contemporary gallery.
Source: Make it Better Magazine By: Rachel Brown Kulp
ABOVE: Wiley Designs, LLC recommends breaking from traditional rules and layering patterns and colors to add depth and detail to a room like their design shown here.
6 Old-School Design Rules You Should Break
Chicago designer Summer Thornton’s motto is, “No amazing room was ever created without taking a risk.” We couldn’t agree more. While we don’t advocate rebelling without a cause—after all, some guidelines can be helpful when you don’t have the benefit of an interior designer at your disposal—a little selective rule breaking can yield stunning results. Here, Thornton and six other intrepid designers tell us which rules were made to be broken, and how to do it with style.
Old-School Rule #1: Every room needs a rug
How to break it: If you’ve got gorgeous floors, don’t be afraid to let them shine! Designer Michael Del Piero says bare wooden floors can ground the other design elements in a room. She especially loves highlighting standout flooring like wide planks, hand-scraped walnut or natural limestone. The result is elegant, spare and surprisingly dramatic.
Old-School Rule #2: Buy major pieces in neutral colors
How to break it: “I have no idea where the convention began that sofas should be neutral,” Thornton says. “At our firm we use dramatic patterns and colors…even in the core pieces of a room, because they create a statement about the owner that says they’re more interesting than beige.”
It might be scary to spring for that pink mohair sofa, but audacity pays off in myriad ways. Choosing a vibrant color for your main piece of furniture will actually limit your options when it comes to designing the room—which can be a good thing if you find yourself paralyzed by indecision. Plus a bold piece will give your room presence.
Old-School Rule #3: Every living room needs a coffee table
How to break it: Lake Forest designer Lisa Wolfe says to start by figuring out what function a table needs to serve in your room. Some rooms need a place to display books and objects, while some just need a perch for cocktails.
Once you know what you need, you can discard what you don’t. If you don’t need a large storage piece in the center of the room, don’t have one. Wolfe loves to swap out the cumbersome cocktail table for an arrangement of smaller pieces: “They meet the functional requirements but are also incredibly flexible,” she says. “And if you pull it off well, it looks artistically sculptural.”
Old-School Rule #4: Just one leather piece per room
How to break it: Leather is a practical material and lends depth and character to any environment, but a suite of leather furniture can give off a cheesy bachelor-pad vibe. The trick to avoiding this look is to mix leather pieces to keep it interesting, according to Chicago design team Cari Giannoulias and Melissa Lewis. Skip the matching altogether, and instead pair sleek modern leather with something vintage and patinaed.
“By incorporating two different feels, the leathers complement each other instead of fighting for the viewer’s attention,” Lewis says.
Old-School Rule #5: Avoid too many patterns in a small space
How to break it: When employed strategically, richly layered patterns can be symphonic and utterly luxurious in a small space. Beth Boyd of Highland Park’s Wiley Designs explains, “Blending different patterns together successfully…is largely about changing up the scale of the patterns as well as changing the patterns themselves.” She suggests mixing stripes with florals and geometric patterns in a variety of sizes.
“Color intensity is another element to consider,” Boyd says. “Select a palette with one or two deeper colors and the balance of the colors in softer hues.”
Old-School Rule #6: Living rooms must have sofas
How to break it: For many of us, this is not a just a design rule, but an unquestionable truth. Yet, there’s more than one way to sit and chat! Chicago designer Kim Scodro says a large sofa can weigh down a room. A grouping of chairs, on the other hand, creates an intimate atmosphere without forcing guests to sit in an awkward lineup, and affords you greater variety in your materials.
“…By using two sets of chairs, [you are] able to introduce different fabric and wood tones that a large sofa would not allow,” Scodro says.
Source: Make it Better Magazine By: Kristina Tober
Design ideas to steal from Lake Forest Showhouse
Thirty interior and landscape designers reimagined the 1929 mansion owned by late “Home Alone” filmmaker John Hughes for the biennial Lake Forest Showhouse and Gardens, which benefits Northwestern Lake Forest Hospital and the Infant Welfare Society of Chicago. Designed by Chicago architect Edwin Hill Clark, the 21-room, 2-acre property served as home and office for Hughes until his death in 2009.
Designers played with the home’s Tudor pedigree and Hughes’ place (“Ferris Bueller’s Day Off” and others) in Hollywood. The showhouse is open through May 17. Looking for the newest design trends, Crain’s got a preview last week.
Whimsy A bust of of a cow’s head in white plaster is in the black-and-white study by Sweet Peas Design in Libertyville. An oversized, live, green Dr. Seuss-worthy chandelier centers a garden room by Michael del Piero Good Design in Chicago. A 300-pound loose shag rug, in bright white, anchors a teen retreat by Winnetka’s Courage & Co.
Bright lights We saw oversized, unique and exquisite pendants everywhere: A wrought-iron chandelier outlined in crystal beads centers the dining room. In the family dining area, a chandelier by Serip Organic Lighting is a waterfall of hand-blown glass. A slender coat room, by Midnight Sun in Mundelein, holds a 36-inch light dome designed by Marcel Wanders, with a bronze finish and white ceramic interior cast with a cascade of flowers.
’70s redux Far out! Influences from that bygone decade include a plaid-covered indoor swing in the teen retreat, a round-cornered gold-sheen Parson’s table in the entry and a white shearling-topped lucite bench in the garden room. More shag, Lucite, fuschia and layered prints complete a teen girl’s bedroom by Jeannie Balsam in Winnetka.
Animal instincts As in prints, furs, hides, horns on chairs, walls, tables, pillows. An upper hall becomes a handsome work space, with a leather-wrapped desk and a copper leather tub chair, by Loren Reid Seaman in Arlington Heights. Pink leather seats and shearling backs on hand-carved side chairs are in the master bedroom, a study in pale glamor by Kim Scodro Interiors in Chicago.
In an unexpectedly light and airy man cave, Chicago designer Mikel Welch set throw pillows, woven in dark leather, on pale linen sofas. “I wanted a room women would be comfortable in, too,” Welch says.
Shine Riffing on the home’s original dark wood, Lake Forest designer Shelley Johnstone Paschke used a high-gloss chocolate-brown paint for an entry ceiling. Walls in a guest bedroom shimmer from a silver and beige foil grasscloth, a touch of Hollywood glamor by Lawrence Boeder Interior Design in Chicago. Original pantry cabinetry was repurposed with a deep sheen by Wiley Designs in Highland Park, using Farrow & Ball’s Drawing Room Blue.
Color Speaking of blue, we found it in every shade, from the sky-blue entry hall to the dining room’s cobalt-blue cowhide rug to the black-blue fringed linen wallpaper in the men’s reprieve, outfitted by Highland Park’s Randy Heller of Pure & Simple Interior Design. “I tried to be respectful of the home,” Heller says. “It’s a 1929 Tudor, but it doesn’t feel 1929.” Known for her reds, Alessandra Branca used coral for pop in a living room of white, chocolate brown and gray. In a jewel-like family dining room by Lori Lennon & Associates in Lake Forest, taupe silk drapes are embroidered with orange-red lilies.
Texture Sisal remains big: blonde in the entry and bordered in velvet up its stairs, chocolate brown fastened with rivets on a back stairway, the floor of a mod dressing room for a girl. “It’s fresh and young,” designer Paschke says. In the garden room, batik-patterned raised plaster walls. In a Christopher Peacock kitchen, unfinished ash cabinetry is in the mix of smooth taupes and white, and reclaimed oak floors are left weathered.
Outside In In the great room by Scott Arthur Yerkey Design in Palm Desert, Calif., the wallpaper features a forest of outlined trees, the ceiling features wallpaper with bumblebees, pillows and chairs are mutely colored by woodland birds. In an enchanting dining room by Soledad Zitzewitz Interiors in Lake Bluff, the walls are papered with a hand-printed mural of London’s Kew Gardens from the 1920s. Cole & Sons wallpaper features monkeys at play in an ancient coliseum, which wraps a back hall and stairs by Sarah Whit.
Source: Make it Better Magazine By: Kristina Tober
4 Secrets to Creating a Great Guest Room
Gone are the days when a couch and blanket would suffice for your houseguests. Give them the comfort and amenities they deserve.
We asked Meg Carroll of Bedside Manor and interior designers Mary Shea and Beth Boyd of Wiley Designs for the necessary ingredients of a great guest room.
Make an inviting bed
Focus on functionality
Guests come with stuff, so give them plenty of functional space to put it.
Adapt your space
For the majority of us who move kids around to host our guests, keep this in mind:
Add a dash of style
If you’re lucky enough to have a spare, dedicated guest bedroom, go ahead and take a few design risks. Introduce a more dramatic pattern or color scheme than you would in a room slept in daily; but Shea stresses the importance of creating a soothing, comfortable place.
Remember, your guests want to feel like they’re staying in a home—not a hotel. Add warmth, but don’t get too personal. A few family photos are OK, but don’t overwhelm the room. A guest room should feel like an extension of your home, not a disjointed, barren space. If your guest wanted to stay at the W Hotel, they would have.
Source: Make it Better Magazine By: Kristina Tober
Designer Inspirations: 2013 Lake Forest Showhouse & Gardens
The designer showhouse. It’s more than an occasion to showcase a designer’s talents.
It’s a chance for a designer to explore a creative concept and introduce dramatic gestures and fantastic elements. In some cases, it’s the opportunity to take a particularly unique or challenging space and make it something special.
This year’s Infant Welfare Society of Chicago’s Lake Forest Showhouse & Gardens, hosted in an historic lakeside Italian villa designed by David Adler, presented its fair share of design opportunities and challenges.
Making an entrance
Creating the first impression in a David Adler estate is no small task. Up to the challenge, Lichten Craig paired stunning antiques with contemporary accents for a modern take on a traditional room. A black and white Atelier Fornasetti paper, with a pewter-leafed vaulted ceiling, become neutral backdrops to a striking Jules Leleu emerald lacquered sideboard flanked by ebonized Biedermeier chairs. The original dark terrazzo floor reflects the sparkle of a precious rock crystal star chandelier, carved from a single block of Brazilian quartz.
Transforming odd into intimate space
The goal was two-fold: create an inviting room for family time from an unusually long and narrow space. Using warm tones and rich textiles accented with found “family” treasures, Wiley Designs pulled together two distinct but connected spaces, intimate in scale, that invite reading, talking and, most importantly, being “unplugged.”
Trailblazing passageway style
Paul Rufus masters the thoroughfare, with a salon-style installation of family photos, graphic prints, plein air pastels by Susan Henshaw and formal landscapes, set against decoratively painted soft stripes, faux moldings and trim. Handpainted with seven Farrow & Ball whites, unique stripes of varying sequence and width unite a disparate series of once narrow, cavernous hallways and stairs to create a delightful gallery worthy of lingering.
Reworking the home office
A traditional space with serious purpose doesn’t have to be dull. Lawrence Boeder enlivens the home office with fresh green grasscloth grounded by a graphic black and white carpet. Traditional furniture in various wood finishes is paired with vibrant, modern art that challenges predictability.
Redefining the mudroom
The mudroom got an upgrade. Moving past beadboard and cubbies, Melissa Edelman of Antiquaire introduces sophistication and drama, with off-black walls the backdrop to gilded antique woods, ornate gold leaf, and the weathered patina of iron and bronze. Durable indoor/outdoor textiles in rich patterns and textures add style while standing up to the ins and outs of a busy family. An antique French Industrial mail rack offers shelves enough for shoes, hats, keys and more, topped by three gilded starburst mirrors. Spare change becomes a creative floor treatment, as hundreds of pennies are grouted as tiles for a custom copper floor.