Creating environments to meet your needs and suit your lifestyle.

William Collins at Gallery A+D

An interactive conversation with William Collins

September, 2016

Source: Pioneer Press

Gallery A+D Hosts a Conversation With William Collins

On Thursday September 15, 2016 Gallery A+D by Wiley Designs, LLC hosted an interactive conversation with William Collins, the gallery’s featured custom furniture designer. Moderated by Chicago Tribune and WGN humorist Sally Higginson, the discussion was set in the gallery space among William’s extraordinary designs as well as the work of other local artists. The conversation explored William’s lifelong passion for creating custom furniture, his inspiration, creative process, construction process, and more.

William Collins at Gallery A+D

William Collins at Gallery A+D William Collins at Gallery A+D

William Collins at Gallery A+D

Gallery A+D to host a conversation with William Collins

September, 2016

Source: Pioneer Press

An interactive conversation with William Collins

On Thursday September 15, 2016 Gallery A+D by Wiley Designs, LLC will host an interactive conversation with William Collins, the gallery’s featured custom furniture designer, to be moderated by Chicago Tribune and WGN humorist Sally Higginson. Set in the gallery space among William’s extraordinary designs as well as the work of other local artists, this conversation will explore William’s lifelong passion for creating custom furniture. Topics will address William’s inspiration, creative process, construction process, and other issues that arise from participants throughout the course of conversation.

The event will be open to the public, however limited space is available. A reception starts at 6:00pm and the discussion will begin at 6:30pm.

William Collins at Gallery A+D

Guests can RSVP to the event by visiting and completing the brief response form.

Gallery A+D grand opening

Gallery A+D Now Open in Downtown Highwood, Illinois

June, 2016

Source: Pioneer Press

Gallery A+D to Open June 3 in Downtown Highwood, Illinois

Gallery A+D received a warm welcome on June 3 when the doors opened to the public for the first time. The Grand Opening event was attended by Chicago area interior designers, art collectors, and North Shore residents as well as the artists and designers featured in the contemporary gallery space dedicated to the art of interiors.

Gallery A+D grand opening

Gallery A+D’s Summer Exhibit highlights luxury custom furniture from the William Collins Collection, featuring the new Ico Center Table and Aldo Occasional Table. The gallery displays the work of fine artists including Voytek Gallery, Christina Body, and Margaret S. Boyd. Floors of the gallery are adorned with distinguished rugs by the premier retailer, Oscar Isberian Rugs.

Gallery A+D grand opening 

Open to the public, Gallery A+D explores the constant evolution of art’s connection to our interior environments with a rotating roster of contributors. For more information, visit or call 847.266.8991.

Gallery A+D by Wiley Designs, LLC

Gallery A+D to Open June 3 in Downtown Highwood, Illinois

May, 2016

Source: Pioneer Press

Gallery A+D to Open June 3 in Downtown Highwood, Illinois

Wiley Designs, LLC is proud to announce the grand opening of Gallery A+D, a new gallery space dedicated to the art and design of interiors. As a unique new space where traditional art merges with the work of innovative contemporary craftsmen, Gallery A+D will establish its place this June at the center the creative community that is emerging in downtown Highwood, Illinois. Wiley Designs principals Beth Boyd and Mary Shea have curated a collection of fine art, contemporary and traditional rugs, and hand made furniture that promise to make Gallery A+D an inspiring display of all things design.

Gallery A+D’s Summer Exhibit will highlight luxury custom furniture from the William Collins Collection, featuring the new Ico Center Table and Aldo Occasional Table. The gallery will display the works of three fine artists, including the inaugural exhibit of Margaret Boyd’s softly hued landscapes and still life paintings as well as the whimsical images by Voytek Glinkowski, a master at capturing the interplay between light and color, and the rich cityscapes by Christina Body. Oscar Isberian Rugs will display a sampling of their extensive international collection of contemporary, traditional, and antique rugs.

Gallery A+D by Wiley Designs, LLCOpen to the public, Gallery A+D will explore the constant evolution of art’s connection to our interior environments with a rotating roster of contributors. For more information or to RSVP for to the June 3 Gallery A+D Grand Opening Event, visit or call (847) 266-8991.


6 Old-School Design Rules You Should Break

December 2014

Source: Make it Better Magazine By: Rachel Brown Kulp


ABOVE: Wiley Designs, LLC recommends breaking from traditional rules and layering patterns and colors to add depth and detail to a room like their design shown here.


 6 Old-School Design Rules You Should Break

Chicago designer Summer Thornton’s motto is, “No amazing room was ever created without taking a risk.” We couldn’t agree more. While we don’t advocate rebelling without a cause—after all, some guidelines can be helpful when you don’t have the benefit of an interior designer at your disposal—a little selective rule breaking can yield stunning results. Here, Thornton and six other intrepid designers tell us which rules were made to be broken, and how to do it with style.

Old-School Rule #1: Every room needs a rug

How to break it: If you’ve got gorgeous floors, don’t be afraid to let them shine! Designer Michael Del Piero says bare wooden floors can ground the other design elements in a room. She especially loves highlighting standout flooring like wide planks, hand-scraped walnut or natural limestone. The result is elegant, spare and surprisingly dramatic.

Old-School Rule #2: Buy major pieces in neutral colors

How to break it: “I have no idea where the convention began that sofas should be neutral,” Thornton says. “At our firm we use dramatic patterns and colors…even in the core pieces of a room, because they create a statement about the owner that says they’re more interesting than beige.”

It might be scary to spring for that pink mohair sofa, but audacity pays off in myriad ways. Choosing a vibrant color for your main piece of furniture will actually limit your options when it comes to designing the room—which can be a good thing if you find yourself paralyzed by indecision. Plus a bold piece will give your room presence.

Old-School Rule #3: Every living room needs a coffee table

How to break it: Lake Forest designer Lisa Wolfe says to start by figuring out what function a table needs to serve in your room. Some rooms need a place to display books and objects, while some just need a perch for cocktails.

Once you know what you need, you can discard what you don’t. If you don’t need a large storage piece in the center of the room, don’t have one. Wolfe loves to swap out the cumbersome cocktail table for an arrangement of smaller pieces: “They meet the functional requirements but are also incredibly flexible,” she says. “And if you pull it off well, it looks artistically sculptural.”

Old-School Rule #4: Just one leather piece per room

How to break it: Leather is a practical material and lends depth and character to any environment, but a suite of leather furniture can give off a cheesy bachelor-pad vibe. The trick to avoiding this look is to mix leather pieces to keep it interesting, according to Chicago design team Cari Giannoulias and Melissa Lewis. Skip the matching altogether, and instead pair sleek modern leather with something vintage and patinaed.

“By incorporating two different feels, the leathers complement each other instead of fighting for the viewer’s attention,” Lewis says.

Old-School Rule #5: Avoid too many patterns in a small space

How to break it: When employed strategically, richly layered patterns can be symphonic and utterly luxurious in a small space. Beth Boyd of Highland Park’s Wiley Designs explains, “Blending different patterns together successfully…is largely about changing up the scale of the patterns as well as changing the patterns themselves.” She suggests mixing stripes with florals and geometric patterns in a variety of sizes.

“Color intensity is another element to consider,” Boyd says. “Select a palette with one or two deeper colors and the balance of the colors in softer hues.”

Old-School Rule #6: Living rooms must have sofas

How to break it: For many of us, this is not a just a design rule, but an unquestionable truth. Yet, there’s more than one way to sit and chat! Chicago designer Kim Scodro says a large sofa can weigh down a room. A grouping of chairs, on the other hand, creates an intimate atmosphere without forcing guests to sit in an awkward lineup, and affords you greater variety in your materials.

“…By using two sets of chairs, [you are] able to introduce different fabric and wood tones that a large sofa would not allow,” Scodro says.


Design ideas to steal from Lake Forest Showhouse

May 2015

Source: Make it Better Magazine By: Kristina Tober


 Design ideas to steal from Lake Forest Showhouse

Thirty interior and landscape designers reimagined the 1929 mansion owned by late “Home Alone” filmmaker John Hughes for the biennial Lake Forest Showhouse and Gardens, which benefits Northwestern Lake Forest Hospital and the Infant Welfare Society of Chicago. Designed by Chicago architect Edwin Hill Clark, the 21-room, 2-acre property served as home and office for Hughes until his death in 2009.

Designers played with the home’s Tudor pedigree and Hughes’ place (“Ferris Bueller’s Day Off” and others) in Hollywood. The showhouse is open through May 17. Looking for the newest design trends, Crain’s got a preview last week.

Whimsy A bust of of a cow’s head in white plaster is in the black-and-white study by Sweet Peas Design in Libertyville. An oversized, live, green Dr. Seuss-worthy chandelier centers a garden room by Michael del Piero Good Design in Chicago. A 300-pound loose shag rug, in bright white, anchors a teen retreat by Winnetka’s Courage & Co.

Bright lights We saw oversized, unique and exquisite pendants everywhere: A wrought-iron chandelier outlined in crystal beads centers the dining room. In the family dining area, a chandelier by Serip Organic Lighting is a waterfall of hand-blown glass. A slender coat room, by Midnight Sun in Mundelein, holds a 36-inch light dome designed by Marcel Wanders, with a bronze finish and white ceramic interior cast with a cascade of flowers.

’70s redux Far out! Influences from that bygone decade include a plaid-covered indoor swing in the teen retreat, a round-cornered gold-sheen Parson’s table in the entry and a white shearling-topped lucite bench in the garden room. More shag, Lucite, fuschia and layered prints complete a teen girl’s bedroom by Jeannie Balsam in Winnetka.

Animal instincts As in prints, furs, hides, horns on chairs, walls, tables, pillows. An upper hall becomes a handsome work space, with a leather-wrapped desk and a copper leather tub chair, by Loren Reid Seaman in Arlington Heights. Pink leather seats and shearling backs on hand-carved side chairs are in the master bedroom, a study in pale glamor by Kim Scodro Interiors in Chicago.

In an unexpectedly light and airy man cave, Chicago designer Mikel Welch set throw pillows, woven in dark leather, on pale linen sofas. “I wanted a room women would be comfortable in, too,” Welch says.

Shine Riffing on the home’s original dark wood, Lake Forest designer Shelley Johnstone Paschke used a high-gloss chocolate-brown paint for an entry ceiling. Walls in a guest bedroom shimmer from a silver and beige foil grasscloth, a touch of Hollywood glamor by Lawrence Boeder Interior Design in Chicago. Original pantry cabinetry was repurposed with a deep sheen by Wiley Designs in Highland Park, using Farrow & Ball’s Drawing Room Blue.

Color Speaking of blue, we found it in every shade, from the sky-blue entry hall to the dining room’s cobalt-blue cowhide rug to the black-blue fringed linen wallpaper in the men’s reprieve, outfitted by Highland Park’s Randy Heller of Pure & Simple Interior Design. “I tried to be respectful of the home,” Heller says. “It’s a 1929 Tudor, but it doesn’t feel 1929.” Known for her reds, Alessandra Branca used coral for pop in a living room of white, chocolate brown and gray. In a jewel-like family dining room by Lori Lennon & Associates in Lake Forest, taupe silk drapes are embroidered with orange-red lilies.

Texture Sisal remains big: blonde in the entry and bordered in velvet up its stairs, chocolate brown fastened with rivets on a back stairway, the floor of a mod dressing room for a girl. “It’s fresh and young,” designer Paschke says. In the garden room, batik-patterned raised plaster walls. In a Christopher Peacock kitchen, unfinished ash cabinetry is in the mix of smooth taupes and white, and reclaimed oak floors are left weathered.

Outside In In the great room by Scott Arthur Yerkey Design in Palm Desert, Calif., the wallpaper features a forest of outlined trees, the ceiling features wallpaper with bumblebees, pillows and chairs are mutely colored by woodland birds. In an enchanting dining room by Soledad Zitzewitz Interiors in Lake Bluff, the walls are papered with a hand-printed mural of London’s Kew Gardens from the 1920s. Cole & Sons wallpaper features monkeys at play in an ancient coliseum, which wraps a back hall and stairs by Sarah Whit.

4 Secrets to Creating a Great Guest Room

October 2013

Source: Make it Better Magazine By: Kristina Tober

 4 Secrets to Creating a Great Guest Room

Gone are the days when a couch and blanket would suffice for your houseguests. Give them the comfort and amenities they deserve.

We asked Meg Carroll of Bedside Manor and interior designers Mary Shea and Beth Boyd of Wiley Designs for the necessary ingredients of a great guest room.

Make an inviting bed

  • Start with the biggest bed that will fit the room. Shea recommends a queen as the ideal fit for most guest scenarios (a couple, tall guest, adult plus child, etc.). Carroll finds a queen bed more inviting and homey than two twins.
  • Washability is number one, and there are a myriad of beautiful options that are equally stylish and low maintenance. You don’t want your guest worrying about a smudge or who slept there before.
  • Layering is also key, as it offers guests the most flexibility and personalized comfort. Start with fine-quality sheets, a blanket and coverlet, and top with a duvet folded at the foot of the bed.
  • Don’t drown the bed in pillows or skimp on comfort. Carroll recommends stacking two sleeping pillows against the headboard, and fronting them with a pair of Euro-sized shams and maybe one decorative pillow. The Euros are ideal for bedtime reading, but they’re easily put aside when it’s time to sleep.
  • If you want to provide a non-allergen pillow or two, stack them cased and ready to go on a closet shelf. Carroll adds that finer quality down bedding is repeatedly washed to reduce allergens, and it’s truly the most comfortable option.

Focus on functionality

Guests come with stuff, so give them plenty of functional space to put it.

  • Set out a luggage rack or bench to hold a suitcase or duffel.
  • Leave the closet ajar so your guest can see hangers and perhaps an open shelf or two to stack clothing. Consider upgrading to wooden or padded hangers.
  • If you have to choose between a desk or nightstand, go with the nightstand, and make sure it’s got plenty of room for a reading lamp, clock and easy plug-in access to charge a phone. Shea warns that tables smaller than 15 square inches challenge efficiency.
  • A reading chair is always welcome with a cozy throw for napping. If you’ve got room for an additional flat, open space (such as a lean console or dresser), fit it in. Guests will appreciate the extra room.
  • A diffuser or candle adds a homey touch, as long as the scent isn’t too heavy or pungent.
  • Don’t forget a pitcher and glass for water and a welcoming vase of fresh flowers.

Adapt your space

For the majority of us who move kids around to host our guests, keep this in mind:

  • The more clutter you can put away the better. Your guest still needs space to spread out.
  • Think about keeping a set of bedding dedicated solely to guests and pull it out when your guest arrives. Your son probably loves all those NHL logos, but your guest may not.
  • Always lay out a clean set of towels on the bed so your guest doesn’t have to hunt them down, particularly if she has to use the same bath as the kids.
  • Try your best to provide a guest with the same amenities (fresh flowers, good lighting, open outlets, hanging space), even if she’s in your toddler’s room.

Add a dash of style

If you’re lucky enough to have a spare, dedicated guest bedroom, go ahead and take a few design risks. Introduce a more dramatic pattern or color scheme than you would in a room slept in daily; but Shea stresses the importance of creating a soothing, comfortable place.

Remember, your guests want to feel like they’re staying in a home—not a hotel. Add warmth, but don’t get too personal. A few family photos are OK, but don’t overwhelm the room. A guest room should feel like an extension of your home, not a disjointed, barren space. If your guest wanted to stay at the W Hotel, they would have.

Designer Inspirations: 2013 Lake Forest Showhouse & Gardens

May 2013

Source: Make it Better Magazine By: Kristina Tober

Designer Inspirations: 2013 Lake Forest Showhouse & Gardens

The designer showhouse. It’s more than an occasion to showcase a designer’s talents.

It’s a chance for a designer to explore a creative concept and introduce dramatic gestures and fantastic elements. In some cases, it’s the opportunity to take a particularly unique or challenging space and make it something special.

This year’s Infant Welfare Society of Chicago’s Lake Forest Showhouse & Gardens, hosted in an historic lakeside Italian villa designed by David Adler, presented its fair share of design opportunities and challenges.

Making an entrance

Creating the first impression in a David Adler estate is no small task. Up to the challenge, Lichten Craig paired stunning antiques with contemporary accents for a modern take on a traditional room. A black and white Atelier Fornasetti paper, with a pewter-leafed vaulted ceiling, become neutral backdrops to a striking Jules Leleu emerald lacquered sideboard flanked by ebonized Biedermeier chairs. The original dark terrazzo floor reflects the sparkle of a precious rock crystal star chandelier, carved from a single block of Brazilian quartz.

Transforming odd into intimate space

The goal was two-fold: create an inviting room for family time from an unusually long and narrow space. Using warm tones and rich textiles accented with found “family” treasures, Wiley Designs pulled together two distinct but connected spaces, intimate in scale, that invite reading, talking and, most importantly, being “unplugged.”

Trailblazing passageway style

Paul Rufus masters the thoroughfare, with a salon-style installation of family photos, graphic prints, plein air pastels by Susan Henshaw and formal landscapes, set against decoratively painted soft stripes, faux moldings and trim. Handpainted with seven Farrow & Ball whites, unique stripes of varying sequence and width unite a disparate series of once narrow, cavernous hallways and stairs to create a delightful gallery worthy of lingering.

Reworking the home office

A traditional space with serious purpose doesn’t have to be dull. Lawrence Boeder enlivens the home office with fresh green grasscloth grounded by a graphic black and white carpet. Traditional furniture in various wood finishes is paired with vibrant, modern art that challenges predictability.

Redefining the mudroom

The mudroom got an upgrade. Moving past beadboard and cubbies, Melissa Edelman of Antiquaire introduces sophistication and drama, with off-black walls the backdrop to gilded antique woods, ornate gold leaf, and the weathered patina of iron and bronze. Durable indoor/outdoor textiles in rich patterns and textures add style while standing up to the ins and outs of a busy family. An antique French Industrial mail rack offers shelves enough for shoes, hats, keys and more, topped by three gilded starburst mirrors. Spare change becomes a creative floor treatment, as hundreds of pennies are grouted as tiles for a custom copper floor.

Your Unique Interior

Date TK, 20xx

Source: Pioneer Press

The Importance of Feeling Connected to Our Interiors

Often we see photographs of homes; beautiful homes stylishly decorated in hues and textures so lovely you want to touch the page in hopes that the aurora created there might somehow be transported through your finger, through your person and into your home.  Then what?  You have a house perfectly appointed with “things” that don’t mean anything to you, however well put together they are.   Does this really matter?

Consider a broad definition of home.  Basically, a home is a place of safety, both physically and emotionally, a place of love, support and respect, and a place of comfort.   To say that our home should be a place of beauty is icing on the cake.  Now, we need to determine whether the “things” we put into a house help define it as the home we want it to be.

Here is an easy test: imagine yourself staying at an elegant hotel.  This is a hotel of luxury with sheets that are crisp and cool against your skin, towels so thick they could be mistaken for pillows. There is thick, lush carpeting and the entire space is decorated in a sumptuous, serene color palette.  This brief description is undeniably appealing for a number of reasons, one of them being our conditioned response to beauty.  It is enjoyable to be in a beautiful environment.

Yet, how long would you stay in this hotel before pulling out a photo of your partner or child, or picking up your journal to record the day’s events or settling in with the book you’re currently reading.  It wouldn’t be long before even the luxuries of such a place would not be completely satisfying.   As human beings we want to be connected to our surroundings.  We respond to senses and images that jog our memories, that inspire us, comfort us, that make us laugh.  These are important “things” to have in a place we call home.  Ultimately, your home will be a reflection of you if it serves the purposes we first articulated of providing a safe, supportive, comfortable environment because to feel these emotions in a physical space, there must be something in the space to which we feel a connection.

The furnishing process shouldn’t be like going to a department store (or the Merchandise Mart) for a one-stop shop though obviously there are furnishing needs that can largely be met with standard pieces.  It is in the details that our interiors should be as unique as we are.

What kinds of things do have meaning to us?  Something that has been passed down to us from our family, an object given to us by a mentor or a friend who may no longer be here, these are meaningful .  Even things we have recently acquired in some memorable way, through travel or study   may provide a meaningful connection.  Photographs are a good example of this.  A friend recently framed a collection of vintage photographs taken in the neighborhood of New York City where her husband grew up.  I have a simple wooden box on a shelf full of hand-made dominos.  The box and its contents were made by my great grandfather for my grandfather who was born in 1894.  The box is simple but still a treasure.

Objects like these that are uniquely personal are not only a reflection of us but they start to make up our own history.  They’re interesting and clearly have meaning.  Set them out and enjoy them.  Chances are very good that they will enhance your interior environment and, more importantly, you will feel good about having them around you.  It doesn’t have to be a priceless dining room set or an heirloom oriental rug to make an impact, though these are nice too!